My work will part of this fund raiser! Come check it out!
The Americans for the Arts Action Fund PAC has produced the 
In addition, to help guide voters in understanding the arts policy positions of those non-incumbent candidates running for election, Americans for the Arts Action Fund PAC has conducted candidate arts surveys across the country. The 
Meat After Meat Joy brings together the work of 10 contemporary artists who use meat in their work.
Tuesday, October 07, 2008
Jenny Walton in Meat After Meat Joy, New York - Reception 16 October 5:30-8:30pm
This show opens Thursday, October 16th. For those who will be in the New York Area in the next month, please stop by and check out the show! I hope I can see many of you at the opening!
Jenny
www.jennywaltonart.com
Tamara Kostianovsky, Elegy,
clothing, meat hook, chain, 2008
Betty Hirst, Head II, Meat, 2008
Zhang Huan,
My
Meat After Meat Joy, curated by Heide Hatry
16 October - 15 November
opening reception:
Thursday 16 October,
Sheffy Bleier, Lauren Bockow, Adam Brandejs, Tania Bruguera, Nezaket Ekici,
Anthony Fisher, Betty Hirst, Zhang Huan, Tamara Kostianovsky, Simone Racheli, David Raymond, Dieter Roth, Carolee Schneemann, Stephen j Shanabrook, Jana Sterbak,
- Adam Brandejs
- Heide Hatry
511 WEST 25 ST, 3FL
phone: 212 675 2966
Tues.-Sat.
Saturday, September 27, 2008
Village Voice Review
Please note the new opening date is October 16th.
This is what you call raw art: Heide Hatry, the daughter of a Bavarian pig farmer and an artist who once wallpapered a room with a porker's skin, has assembled a wild survey of the meanings of meat. Central to the show are Carolee Schneemann's notorious sex-with-chickens dance orgy from 1964, Meat Joy, and Zhang Huan's stroll through Manhattan in a muscled costume of dark-red beef. Other trenchant works include Tamara Kostianovsky's sirloin mimicry with fabric, Jenny Walton's painting of an oozing wound, and Betty Hirst's figures carved from frozen roast, which bleed as they thaw. Be forewarned: After staging a similar show, Hatry became a committed vegetarian. Daneyal Mahmood Gallery, 511 West 25th Street, 212-675-2966.
Fall Preview: Jesper Just's Schizo Enigma\
Four films at the Brooklyn Museum of Art
By Robert Shuster
Wednesday, September 3rd 2008
'The Meat Show'This is what you call raw art: Heide Hatry, the daughter of a Bavarian pig farmer and an artist who once wallpapered a room with a porker's skin, has assembled a wild survey of the meanings of meat. Central to the show are Carolee Schneemann's notorious sex-with-chickens dance orgy from 1964, Meat Joy, and Zhang Huan's stroll through Manhattan in a muscled costume of dark-red beef. Other trenchant works include Tamara Kostianovsky's sirloin mimicry with fabric, Jenny Walton's painting of an oozing wound, and Betty Hirst's figures carved from frozen roast, which bleed as they thaw. Be forewarned: After staging a similar show, Hatry became a committed vegetarian. Daneyal Mahmood Gallery, 511 West 25th Street, 212-675-2966.
Wednesday, September 24, 2008
New York show - Opening Date Change
There was a date change from my previous email
for the opening of my show in New York.
Please note that the opening is now on the
16th of October, 2008.
For more info please go to
http://www.daneyalmahmood.com/upcomingexhibitions.html
DANEYAL MAHMOOD GALLERY
presents
Meat after Meat Joy, NY
Curated by Heide Hatry
October 16– November 8, 2009
Opening reception: October 16, 6-8pm
DANEYAL MAHMOOD GALLERY
511 West 25th Street 3rd Floor
New York, NY 10011
www.daneyalmahmood.com
T 212 675 2966
F 212 675 3966
--
www.jennywaltonart.com
for the opening of my show in New York.
Please note that the opening is now on the
16th of October, 2008.
For more info please go to
http://www.daneyalmahmood.com/upcomingexhibitions.html
DANEYAL MAHMOOD GALLERY
presents
Meat after Meat Joy, NY
Curated by Heide Hatry
October 16– November 8, 2009
Opening reception: October 16, 6-8pm
DANEYAL MAHMOOD GALLERY
511 West 25th Street 3rd Floor
New York, NY 10011
www.daneyalmahmood.com
T 212 675 2966
F 212 675 3966
--
www.jennywaltonart.com
Thursday, September 18, 2008
E32 - A little late...but I heard it was a great presentation!
SEPTEMBER 16TH
7:30 - 10ish
E32 is pleased to present
IT'S STILL. IT MOVES. 2
VIDEO PHOTOGRAPHY PAINTING MIXED MEDIA PERFORMANCE DOCUMENTATION DRAWING
Present and speaking about their work will be several members of
The District of Columbia Arts Center collective, SPARKPLUG
Kathryn McDonnell , Karen Joan Topping site & blog, Mike Matason, Lisa McCarty, Jenny Walton site & blog, Mark Planisek site& site 2 Deborah Carroll Anzinger, Peter Gordon , Lea Ann Bigelow
and
New York's Own:
Serge J-F. Levy, Alexander Skarlinski , Asya Geisberg, Tony Feyer & Dax Van Alten.
with
Video by Out of Town Guests:
Swedish artists, Jonas Nilsson and Eva Olsson
7:30 - 10ish
E32 is pleased to present
IT'S STILL. IT MOVES. 2
VIDEO PHOTOGRAPHY PAINTING MIXED MEDIA PERFORMANCE DOCUMENTATION DRAWING
Present and speaking about their work will be several members of
The District of Columbia Arts Center collective, SPARKPLUG
Kathryn McDonnell , Karen Joan Topping site & blog, Mike Matason, Lisa McCarty, Jenny Walton site & blog, Mark Planisek site& site 2 Deborah Carroll Anzinger, Peter Gordon , Lea Ann Bigelow
and
New York's Own:
Serge J-F. Levy, Alexander Skarlinski , Asya Geisberg, Tony Feyer & Dax Van Alten.
with
Video by Out of Town Guests:
Swedish artists, Jonas Nilsson and Eva Olsson
Wednesday, September 17, 2008
Vote smART: What Grade Did Your Member Receive?
From: Americans for the Arts Action Fund [mailto:advocacy@artsusa.org]
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--
www.jennywaltonart.com
I want to live my life not by the regret of "what if", but by its possibilities. -ME
What lies behind us and what lies before us are nothing compared to what lies within us.
Ralph Waldo Emerson
Wednesday, August 27, 2008
Please share: Call To Artists: Juried Exhibition, Honorarium, All Media
---------- Forwarded message ----------
|
Monday, August 18, 2008
ART:21 Blog!
Hi all,
I just wanted to share the news that the Meat after Meat Joy show in Boston made it to the PBS Art:21 blog!!!! Yeah! Below is the link...
Jenny
--
www.jennywaltonart.com
I want to live my life not by the regret of "what if", but by its possibilities. -ME
What lies behind us and what lies before us are nothing compared to what lies within us.
Ralph Waldo Emerson
I just wanted to share the news that the Meat after Meat Joy show in Boston made it to the PBS Art:21 blog!!!! Yeah! Below is the link...
Jenny
Meat After Meat Joy
By Sarah Sliwa
One of the last shows I saw in the United States before leaving for Belgium was Meat After Meat Joy, an exhibit of 10 contemporary artists who use meat in their work, that was on display June 21- July 20 at the Pierre Menard Gallery in ...
Art21 Blog - http://blog.art21.org
--
www.jennywaltonart.com
I want to live my life not by the regret of "what if", but by its possibilities. -ME
What lies behind us and what lies before us are nothing compared to what lies within us.
Ralph Waldo Emerson
Sunday, July 27, 2008
Interview with Heide Hatry on Big Red & Shiny
There was a pretty great interview with Heide Hatry, the curator of the show "Meat after Meat Joy" by Christian Holland of Big Red & Shiny. You can read the article by clicking here.
The opening was fabulous and I was fortunate to be able to attend. There were a lot of people in attendance. I'm not sure if they came for the idea of spectacle the show presented, but I'm certainly hoping they came away with a much deeper understanding of the relationship between artist and subject.
I spoke with the director of Pierre Menard last week and they are extending the show's schedule in Cambridge through this month, so you may still have some time to go check it out. I have to say it is a true pleasure to be showing with the other artists in the show.
The opening was fabulous and I was fortunate to be able to attend. There were a lot of people in attendance. I'm not sure if they came for the idea of spectacle the show presented, but I'm certainly hoping they came away with a much deeper understanding of the relationship between artist and subject.
I spoke with the director of Pierre Menard last week and they are extending the show's schedule in Cambridge through this month, so you may still have some time to go check it out. I have to say it is a true pleasure to be showing with the other artists in the show.
Friday, July 18, 2008
New work in DCAC Wallmountables
Including work by
Jenny Walton
with previously unseen
paintings on the East Coast
and a new drawing!
1460 WALLMOUNTABLES
July 18 - August 31
Opening Reception: July 18, 7-9pm
DC Arts Center
2438 18th St. NW
Washington, DC 20009
gallery hours:
Wed - Sun 2-7pm
to see more work by Jenny click here
to visit the gallery's website click here
Friday, June 27, 2008
More reviews
- Press from the Boston Globe for the opening
- New review on show in Weekly Dig
- Wicked Local
- College on the Record
- Boston Globe, July 1
Thursday, June 26, 2008
Review in Cambridge Chronicle
Meat meets art in Cambridge gallery
By Christopher Loh
Thu Jun 26, 2008, 06:42 AM EDT
Cambridge -
The title of the art show at the Pierre Menard Gallery raises a lot of questions, and even fewer answers, which may be a good thing for the artists of the “Meat After Meat Joy” exhibition.
The 10 artists whose works decorate the exhibit, which opened Saturday, used animal meat as a medium in some form or another.
Some artists used meat as an actual tool to create their art — Zuang Huan filmed himself walking around New York City in a body suit made of meat — while others, like David Raymond, used meat as their subject matter.
“[Meat] struck me as having visual properties I had not explored,” said Raymond, whose paintings are featured in the show. “I was more interested in treating it like a post-life subject and began to use butcher cuts of meats — rib roast, pork chops, steaks — which struck me as something as a commoditization as a designed object meant for sale, meant to at first, attract someone for sale. I found that an interesting angle worth investigating.”
Raymond began working with meat intensely in 1990 when he noticed a piece of chuck steak.
“Up close, it looked like a piece of geography,” Raymond said. “If you think about the nature of organic things, they share properties, it’s that organic-ness, that soft-growth pattern of things. Now, they’re altered by someone making a cut or shape, like a road cutting through the earth.”
Visitors to the gallery can examine a flag made of pure raw meat and meat fat.
The flag’s sculptor, Betty Hirst, also produced an opened book made of frozen raw meat and, possibly disturbing, a baby girl on a pink blanket composed of dried meat.
The show’s curator and fellow meat artist, Heide Hatry, grew up on a pig farm and said for her, meat is a “primordial fact of life, even if it is a highly problematic one.”
Hatry said the show, entitled, “Meat After Meat Joy,” hails from a performance by Carolee Schneeman in the 1960s.
The show consisted of “scantily” dressed people “writhing and interacting” among dead animals and animal parts — the show, in some part seemed to be a celebration of life as the tone was joyous even though life ultimately results in death. The show also acted as a statement that people “embrace the forces of destruction.”
While Raymond’s exploration into the visual aspects of meat is not meant to be a political statement on the treatment of animals — Raymond does eat meat, although he finds the treatment of animals for slaughter disturbing — for some, the work displayed in “Meat After Meat Joy” will definitely raise those questions.
“We hope that this exhibit causes people to stop and think about the experience inflicted on millions of chickens, lambs, pigs, cows and other animals every day — and consider stopping this cycle of violence by trying a humane vegetarian diet,” said David Perle, spokesman for the People for the Ethical Treatment of Animals organization.
Nathan Censullo, who works at the gallery, insisted the works were not meant to be statements on the audience’s dietary habits.
“I don’t necessarily think this has anything to do with making a commentary on people’s diets,” Censullo said. “It’s a bunch of people looking at the same material and finding value for what they want to do. That’s sort of the interesting thing — it’s a bizarre, weird activity. There’s not a whole lot of people that are doing this. Not that this hasn’t been done before, but that doesn’t matter, it’s what we’re doing now.”
By Christopher Loh
Thu Jun 26, 2008, 06:42 AM EDT
Cambridge -
The title of the art show at the Pierre Menard Gallery raises a lot of questions, and even fewer answers, which may be a good thing for the artists of the “Meat After Meat Joy” exhibition.
The 10 artists whose works decorate the exhibit, which opened Saturday, used animal meat as a medium in some form or another.
Some artists used meat as an actual tool to create their art — Zuang Huan filmed himself walking around New York City in a body suit made of meat — while others, like David Raymond, used meat as their subject matter.
“[Meat] struck me as having visual properties I had not explored,” said Raymond, whose paintings are featured in the show. “I was more interested in treating it like a post-life subject and began to use butcher cuts of meats — rib roast, pork chops, steaks — which struck me as something as a commoditization as a designed object meant for sale, meant to at first, attract someone for sale. I found that an interesting angle worth investigating.”
Raymond began working with meat intensely in 1990 when he noticed a piece of chuck steak.
“Up close, it looked like a piece of geography,” Raymond said. “If you think about the nature of organic things, they share properties, it’s that organic-ness, that soft-growth pattern of things. Now, they’re altered by someone making a cut or shape, like a road cutting through the earth.”
Visitors to the gallery can examine a flag made of pure raw meat and meat fat.
The flag’s sculptor, Betty Hirst, also produced an opened book made of frozen raw meat and, possibly disturbing, a baby girl on a pink blanket composed of dried meat.
The show’s curator and fellow meat artist, Heide Hatry, grew up on a pig farm and said for her, meat is a “primordial fact of life, even if it is a highly problematic one.”
Hatry said the show, entitled, “Meat After Meat Joy,” hails from a performance by Carolee Schneeman in the 1960s.
The show consisted of “scantily” dressed people “writhing and interacting” among dead animals and animal parts — the show, in some part seemed to be a celebration of life as the tone was joyous even though life ultimately results in death. The show also acted as a statement that people “embrace the forces of destruction.”
While Raymond’s exploration into the visual aspects of meat is not meant to be a political statement on the treatment of animals — Raymond does eat meat, although he finds the treatment of animals for slaughter disturbing — for some, the work displayed in “Meat After Meat Joy” will definitely raise those questions.
“We hope that this exhibit causes people to stop and think about the experience inflicted on millions of chickens, lambs, pigs, cows and other animals every day — and consider stopping this cycle of violence by trying a humane vegetarian diet,” said David Perle, spokesman for the People for the Ethical Treatment of Animals organization.
Nathan Censullo, who works at the gallery, insisted the works were not meant to be statements on the audience’s dietary habits.
“I don’t necessarily think this has anything to do with making a commentary on people’s diets,” Censullo said. “It’s a bunch of people looking at the same material and finding value for what they want to do. That’s sort of the interesting thing — it’s a bizarre, weird activity. There’s not a whole lot of people that are doing this. Not that this hasn’t been done before, but that doesn’t matter, it’s what we’re doing now.”
Friday, June 20, 2008
Meat After Meat Joy
Meat After Meat JoyJune 21 through July 20, 2008
Opening Reception: Saturday, June 21, 6 - 9pm
Curated by Heide Hatry, Meat After Meat Joy investigates the paradoxical relationship meat has to the body. Meat combines flesh, skin, muscle, organs, blood — yet meat's only reference to the body is as a once-upon-a-time living biological thing. By putting these artists together, Meat After Meat Joy seeks to investigate the uncanny effect meat has as a medium for artist and viewer. This group exhibition brings together the work of 10 contemporary artists who use meat in their practice
Nezaket Ekici / Anthony Fisher / Betty Hirst / Zhang Huan
Tamara Kostianovsky / David Raymond / Dieter Roth
Carolee Schneemann / Jana Sterbak
Jenny Walton
www.pierremenardgallery.com
Pierre Menard Gallery
10 Arrow St
Cambridge, MA 02138
p: 617.868.2033
Opening Reception: Saturday, June 21, 6 - 9pm
Curated by Heide Hatry, Meat After Meat Joy investigates the paradoxical relationship meat has to the body. Meat combines flesh, skin, muscle, organs, blood — yet meat's only reference to the body is as a once-upon-a-time living biological thing. By putting these artists together, Meat After Meat Joy seeks to investigate the uncanny effect meat has as a medium for artist and viewer. This group exhibition brings together the work of 10 contemporary artists who use meat in their practice
Nezaket Ekici / Anthony Fisher / Betty Hirst / Zhang Huan
Tamara Kostianovsky / David Raymond / Dieter Roth
Carolee Schneemann / Jana Sterbak
Jenny Walton
www.pierremenardgallery.com
Pierre Menard Gallery
10 Arrow St
Cambridge, MA 02138
p: 617.868.2033
Wednesday, June 11, 2008
Free museum entrance with Bank of America
So I found this while browsing. Its a really cool program from Bank of America that pays for your museum admission the first weekend every month in select museums if you have a bank of america card. Its really cool and actually real!
http://promotions.bankofamerica.com/museums/?cm_mmc=ENT-Funded-_-Google-PS-_-museums%20on%20us-_-Brand
http://promotions.bankofamerica.com/museums/?cm_mmc=ENT-Funded-_-Google-PS-_-museums%20on%20us-_-Brand
Upcoming shows for Jenny Walton
Meat After Meat Joy art exhibit
Saturday, June 21, 2008 - Sunday, July 20, 2008
12:00 PM - 8:00 PM
Pierre Menard Gallery
10 Arrow Street
Cambridge, Massachusetts 02138
Cambridge, Massachusetts 02138
Free and open to the public,
with an opening reception on Saturday, June 21, 6-9 pm.
with an opening reception on Saturday, June 21, 6-9 pm.
Phone: (617) 868-2033
Age Suitability: 18 and up
Meat After Meat Joy brings together the work of 10 contemporary artists who use meat in their work.
Curated by Heide Hatry, Meat After Meat Joy investigates the paradoxical relationship meat has to the body. Meat combines flesh, skin, muscle, organs, blood — each with its own relationship to the body, yet meat's only reference to the body is as a once-upon-a-time living biological thing. By putting these artists together, Meat After Meat Joy seeks to investigate the uncanny effect meat as a medium is for artist and viewer. This is not a show about meat as spectacle but about meat as signification, precisely because meat does not signify (a body) but its very annihilation.
Skin is the body's largest organ and greatest protection. It is the body's most public point of vulnerability and private realm of pleasure. Flesh is associated with the body; it cannot be separated from the body except when it is torn, crucified, burned, flayed. Muscle and fat are anatomy, as well as the fit body, the football body, the anorectic body, the fat body.
Meat is the body without skin. It has no identity. Meat cannot have a mood, cannot feel, nor have an intention. It cannot die or even remember having been killed. It is not a metaphor but matter. Meat cannot have a soul. When a suicide bomber blows up a wedding, a funeral, a café creating sprawling mass of bloody, fleshy, skinless, blobs and chunks human beings and animal are turned into meat. In William Gibson's Neuromancer (1984), when Cases's body is unhooked from the computer and no longer jacked into cyberspace, it becomes "meat". Meat has no notion of being-in-the-world.
And yet, an exhibition on meat seems like an obvious continuation of discussions of contemporary art and the body. Certainly in relation to feminism, meat has been an erotic and eschatological component of a liberatory, transgressive discourse of female sexuality and the body beginning with Carolee Schneemann's path-breaking 1964 Meat Joy. After Meat Joy, the female body was no longer the 'poulet" or chick but an erotic and political force of the laugh of the Medusa (Helene Cixous) — the writhing ecstatic female body freed from the constraints of patriarchal definition (meat is the indefinable flesh) that expresses an epistemology (Interior Scroll 1975) into ontology (the feminist movement). In Meat Joy, although controversial, raw meat — animal human — and the human body are at their most uncontested and merged, for meat is not the absence or the other the body but an act of reclamation and affirmation of all that patriarchy had previously "disemboweled" from the female body.
But what kind of commentary about being and the body is Zuang Huan's Meat Suit within the context of the body as meat of the suicide bomber? Both amusing and terrifying; beautiful and nauseating — Meat Suit is both super hero and carcass; literal description of the body as meat as well as explosive metaphor of the body as raw meat in the age of virtual reality and suicide bombing. Then again, what is Betty Hirst's crowned circumcised sushi penis asking of meat and the body in Penis. It calls up the penis of the female to male transsexual, a limb fashioned out of skin and muscle from other parts of the body. It signifies raw humor (literally skinning the phallus), and raw critique as it juxtaposes the skin of a body with the skinless shape, the act of sculpting and photographing, playing this skinless dick to the anonymous white skinned body on which it lays. But the body is never there in any of these interpretations – only the raw meat that has been carved(?) sewn(?) rolled(?) into this representation of the phallus which, for psychoanalyst Jacques Lacan, was never the penis, but the Grand Signifier.
Besides the work of Schneemann (www.caroleeschneemann.com), Huan (www.zhanghuan.com), and Hirst (www.saatchi-gallery.co.uk/yourgallery/artist_profile/Betty+Hirst/25929.html), Meat After Meat Joy also features work by the following artists:
Jana Sterback (www.janasterbak.com)
Tamara Kostianovsky (www.tamarakostianovsky.com)
Nezaket Ekici (www.ekici-art.de)
Dieter Roth (www.dieter-roth-museum.de)
Anthony Fisher (http://home.comcast.net/~a.anthonyfisher/index.html)
David Raymond (http://l5-din-a4.org/draymon.html)
Jenny Walton (www.jennywaltonart.com)
Following the run at the Pierre Menard Gallery, Meat After Meat Joy will travel to Daneyal Mamood Gallery in New York City in the Fall of 2008.
Background information:
Curator Heide Hatry is a painter, sculptor, photographer and performance artist, who has also been trained as a printer, art historian and rare bookseller. She curated the exhibition entitled SKIN, in which she assembled work by seven woman artists, whose primary subject, and in some cases, medium, is skin. The show was mounted at the Heidelberger Kunstverein, the Goethe Institute in New York, and several commercial galleries. She also published the book Skin, several catalogs for artists including Carolee Schneemann and is currently working on a book about portraits, as well as completing the exhibition catalog for Meat After Meat Joy. She curated a show for Elga Wimmer Gallery in New York about body-related performance art, which will travel during 2008. For more information on Hatry, visit www.heidehatry.com.
The Pierre Menard Gallery was founded in 2006 by John Wronoski, proprietor of the well-known international rare book firm, Lame Duck Books (founded 1984). In its first year, the gallery mounted an exhausting 17 shows. The gallery's space allows for multiple simultaneous exhibitions. Among the artists exhibited have been Lucien Clergue, Jim Peters, Hiroyuki Hamada, Jan Saudek, Josef Sudek, Christian Bastian, Matt Weber, Gordon Wagner, Rikki Ducornet and Elena Urbaitis. Exhibition catalogs have been produced to accompany the majority of its shows, often with contributions by prominent authors, art historians and critics. Nathan Censullo is the gallery's director. Log onto www.pierremenardgallery.com for more details.
Friday, May 30, 2008
I need your help to plant a forest
From my friend Justin:
Greetings,
I have some exciting news to share with you. The Baltimore Sculpture
Project has invited my project 7,000 Evergreens to be part of its
2008-2009 show, which will open July 17 and remain open through May
2009. The Baltimore Sculpture Project is a public sculpture show in
downtown Baltimore, so we are thrilled to have the opportunity to gain
exposure for our project and further explore the creative
possibilities for artificial trees in the landscape.
The 7,000 Evergreens project will install a forest of artificial
evergreen trees for the Baltimore show, and we are currently seeking
donations of unwanted plastic Christmas trees and other artificial
evergreens. We will accept trees of all colors, sizes, shapes and
varieties. If you have a tree that you would like to donate, or if
you know someone who does, please contact me to arrange pickup or
delivery of the tree.
Information about the show opening is forthcoming.
------------------------------------------------------------------------------------------------------------------------------------------
Want to make Art? We are always seeking volunteer planters. Now it
is easier than ever to plant a tree and send documentation to us. If
you have a Flickr account, simply add your photo to our 7,000
Evergreens Flickr group and the photo will appear on the 7,000
Evergreens website!
Best,
-Justin
7,000 Evergreens
www.7000evergreens.org
Friday, May 23, 2008
headed to P town!
I'm headed to Portland to visit old friends this weekend and pick up
some of my favorite Washington Wine by Waving Tree Winery. I'm hoping
to hit the Pearl District while out there and see what Portland has
been up to in the Arts since I left before grad school. I'm hoping to
get some great Northwest air and be in wide open spaces.
some of my favorite Washington Wine by Waving Tree Winery. I'm hoping
to hit the Pearl District while out there and see what Portland has
been up to in the Arts since I left before grad school. I'm hoping to
get some great Northwest air and be in wide open spaces.
Tuesday, May 13, 2008
Thursday, May 08, 2008
Announcing new website and shows!
Please check out my new website!
You can now enjoy my work at
You can now enjoy my work at
detail of Barely Tethered, 2007
**Very special thanks go to Jeff and Daniel at J.S. Rum & Co. for their time and efforts!
_______________________________________________
Opening Today!!!
I can be found on the 9th floor in front of the movie theatre.
The outsider's anatomy lesson II, 2008
wood, plexiglass, ink, light
You can check out the complete website for more info and
my page on the artist catalog at http://www.artomatic.org/user/592
______________________________
Closing Sunday May 11th!
Sparkplug Collective at DCAC gallery in Washington, DC (www.dcartscenter.org ).
closes on Sunday May 11, so check it out soon!
_____________
If all of that has not kept me busy enough, There will be a day of workshops hosted by
Sparkplug members at DCAC May 10th starting at 2pm in conjunction with Learnapalooza.
A day of free workshops around the city. We will be available to discuss our work in the show as well.
For a full listing of workshops go to http://www.learnapaloozadc.com/workshops/list
Friday, May 02, 2008
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